Vijayalakshmi was born in a family to Ramallu and Sarasamma in Eluru, Andhra Pradesh. She left school after her fourth standard (in India, at about 8 years of age) due to the family's financial constraints. Her striking looks burdened her with uninvited attention, and her family married her off at a very young age. When she was ill-treated by her husband and in-laws, she ran away to Madras (now known as Chennai) and started living with an aunt.
Vijayalakshmi, better known by her stage name Silk Smitha, was an Indian film artiste who worked predominantly in the South Indian languages. She entered the industry as an extra actress and first got noticed for her role as "Silk" in the 1979 Tamil film Vandichakkaram. She became the most sought-after erotic actress in the early 1980s. In a career spanning 17 years, she appeared in over 450 films in Telugu, Tamil, Malayalam, Kannada and Hindi languages.
Career:
Vijaya Lakshmi started as a touch-up artist for a -D grade actress and soon got a break in small character roles. Later she was discovered by Vinu Chakravarthy, director at a flour mill. He renamed her Smitha and took her under his wing: his wife taught her English and arranged for her to learn dancing.though soon, due to her marked sex appeal, she switched to roles of cabaret dancers and vamps and inevitably found herself type casted.After garnering much notice and acclaim with her first major role in the Tamil film Vandichakkaram, in 1979, Smitha assumed the screen name "Silk", after her character's name in the movie. After it became a big hit, she could not escape typecasting, severely limiting her range throughout her career.
Silk Smitha went on to star in Tamil, Telugu, Malayalam, Kannada and a few Hindi films. Her dance numbers, semi-nude scenes and bold performances in films like Moondru Mugam made her the ultimate symbol of sensuality in South Indian cinema. Her item numbers in films like Amaran, Hallimeshtru Kannada were also celebrated at the box office. Some film critics, historians and journalists have referred to her as a "soft porn" actress. A vast majority of her movies are considered 'softcore' by Indian standards and a common theme is her playing a freakishly strong agent in skimpy bikinis beating up huge thugs. Her acting prowess did not go completely unnoticed and in her rare non-sexual roles, she impressed critics and audiences, such as her portrayal of a wife hurt by her role in her husband's rape of their maid (which she passively allowed by not preventing his entering the maid's bathroom and standing "guard" during the shameful act, to prevent embarrassment to their family) in Alaigal Oivathillai (1981). One of her films, Layanam (1989), has earned a cult status in the Indian adult film industry and was dubbed in numerous languages including, Hindi as Reshma Ki Jawani (2002), which, too, acquired cult status. Her most respected film is Moondram Pirai by Balu Mahendra, remade in Hindi as Sadma, with much of the top-drawer cast, including Sridevi, Kamal Hassan, and Silk Smitha reprising their roles.
Such was her audience-drawing power that, at the peak of her career, according to Tamil film historian, Randor Guy, "Films that had lain in cans for years were sold by the simple addition of a Silk Smitha song."
Death:
Silk Smitha was found dead in her Chennai apartment, having committed suicide on September 23, 1996. The cause of her death is not known, it may have been her disillusionment of getting failure as a film producer which she had tried her hand on the previous year, an unrequited love or alcohol dependency. At 11.30 a.m, on September 23, 1996, Smitha was found to be dead in her chennai apartment home in Saligramam, hanging by a rope from the ceiling fan of her bedroom. She had left a suicide note in which she had written that she was frustrated with repeated failures in her life and so she was taking the extreme step.
Silk Smitha’s popularity began to wane by mid-1990s. She had a live-in boyfriend who had promised to start her luxury life from scratch and lured her into producing films. If reports are to be believed, Silk Smitha’s two movies that she had produced flopped and she was in debt for Rs. 20 million while the third one was stuck due to loss of funds. Silk Smitha could not reconcile to her being back to her impoverished day that she never wanted to go to, after she had reveled in luxury. She did get the odd film over, the last one being a movie called Subaash, a Tamil film, that released two days before her death.
The police directed examining doctors to send a part of Silk Smitha’s body parts to forensic scientists to find out if there were traces of poison in her body; she might have been poisoned before hanging her by the fan, they felt. A post-mortem report on Silk Smitha revealed a large amount of bananas and chocolates in her stomach.
year | movie | Role | Language |
---|---|---|---|
1979 | Inaye Thedi | Malayalam | |
1979 | Vandichakkaram | Silk as bar girl | Tamil |
1979 | Pushyaraagam | Malayalam | |
1979 | Ottapettavar | Malayalam | |
1980 | Karimbana | Palamma | Malayalam |
1980 | Ivar | Malayalam | |
1980 | Rajaneegandhi | Sheela | Malayalam |
1981 | Avatharam | Thankamani | Malayalam |
1981 | Vayal | Malayalam | |
1981 | Alaigal Oivathillai | Tamil | |
1981 | Seethakoka Chiluka | Telugu | |
1981 | Sneham Oru Pravaaham | Malayalam | |
1981 | Pinneyum Pookkunna Kaadu | Malayalam | |
1982 | Yamakinkarudu | Telugu | |
1982 | Moondram Pirai | Headmaster's wife | Tamil |
1982 | Theeram Thedunna Thira | Malayalam | |
1982 | Sagalakala Vallavan | Tamil | |
1982 | Pattanathu Rajakkal | Tamil | |
1982 | Neram Vandhachu | Rekha | Tamil |
1982 | Theerpu | Tamil | |
1982 | Thanikattu Raja | Tamil | |
1982 | Ranga | Tamil | |
1982 | Sivantha Kankal | Tamil | |
1982 | Parvaiyin Marupakkam | Tamil | |
1982 | Kaalan | Malayalam | |
1983 | Moondru Mugam | Tamil | |
1983 | Paayum Puli | Tamil | |
1983 | Thudikkum Karangal | Tamil | |
1983 | Sadma | Soni | Hindi |
1983 | Thai Veedu | Tamil | |
1983 | Nizhal Moodiya Nirangal | Malayalam | |
1983 | Attakkalasam | Malayalam | |
1983 | Eettappuli | Rani | Malayalam |
1983 | Snehabandham | Malayalam | |
1983 | Prathigna | Malayalam | |
1983 | Rathilayam | Rathi | Malayalam |
1983 | Thanga Magan | Tamil | |
1983 | Khaidi | Telugu | |
1983 | Jeet Hamaari | Soni | Hindi |
1983 | Jaani Dost | Laila | Hindi |
1983 | Silk Silk Silk | Tamil | |
1983 | Soorakottai Singakutti | Tamil | |
1983 | Gudachari No.1 | Telugu | |
1983 | Roshagadu | Telugu | |
1984 | Challenge | Priyamvada | Telugu |
1984 | Rustum | Telugu | |
1984 | Idavelakku Shesham | Malayalam | |
1984 | Abhimanyudu | Telugu | |
1984 | Hero | Telugu | |
1984 | Agnigundam | Telugu | |
1984 | Neenga Kettavai | Tamil | |
1984 | Vaazhkai | Tamil | |
1984 | Kairasikkaran | Aisha | Tamil |
1984 | Prachanda Kulla | Kannada | |
1984 | Niraparaadhi | Malayalam | |
1984 | Umanilayam | Reena | Malayalam |
1984 | Bullet | Malayalam | |
1985 | Ottayan | Rani | Malayalam |
1985 | Revenge | Geetha | Malayalam |
1985 | Chorakku Chora | Malayalam | |
1985 | Jeevante Jeevan | Malayalam | |
1985 | Prathikarajwaala | Malayalam | |
1985 | Chattamtho Poratam | Telugu | |
1985 | Shri Datta Darshanam | Telugu | |
1985 | Donga | Telugu | |
1986 | Raakshasudu | Telugu | |
1986 | Kirathakudu | Telugu | |
1986 | Annoru Raavil | Malayalam | |
1986 | Urukku Manushyan | Malayalam | |
1986 | Pensimham | Malayalam | |
1986 | Kulambadikal | Malayalam | |
1987 | Aalappirandhavan | Tamil | |
1988 | Jeeva | Tamil | |
1988 | Khaidi no.786 | Telugu | |
1989 | Miss Pamela | Malayalam | |
1989 | Layanam | Malayalam | |
1989 | Andru Peytha Mazhaiyil | Tamil | |
1989 | Adharvam | Ponni | Malayalam |
1989 | Praayapoorthiyaayavarkku Maathram | Malayalam | |
1989 | Pick Pocket | Tamil | |
1989 | New Year | Malayalam | |
1989 | Sonthakkaran | Sudha | Tamil |
1989 | Geethanjali | Guest appearance in song | Telugu |
1990 | Adhisaya Manithan | Tamil | |
1990 | Shesham Screenil | Malayalam | |
1990 | Naale Ennundekil | Jyothi | Malayalam |
1990 | Avasara Police 100 | Amulu | Tamil |
1990 | Sunday 7 PM | Sherly | Malayalam |
1990 | Bamma Maata Bangaru Baata | Telugu | |
1991 | Aditya 369 | Rajanarthaki Nandini | Telugu |
1991 | Thalattu Ketkudhamma | Tamil | |
1991 | Chaithanya | Telugu | |
1991 | Thambikku Oru Paattu | Tamil | |
1991 | Idhayam | Tamil | |
1992 | Amaran | Area Girl | Tamil |
1992 | Naadody | Malayalam | |
1992 | Vasudha | Malayalam | |
1992 | Rishi | Malayalam | |
1992 | Halli Meshtru | Kannada | |
1992 | Antham | bar dancer | Telugu |
1993 | Sabash Babu | Tamil | |
1993 | Bava Bavamaridi | Telugu | |
1993 | Saakshaal Sreeman Chaatthunni | Malayalam | |
1993 | Kunthi puthrudu | Telugu | |
1993 | Govindha Govindha | Guest Appearance in song | Telugu |
1993 | Mafia | Item Dance | Malayalam |
1993 | Aadhityan | Manga | Tamil |
1993 | Ulle Veliye | Tamil | |
1993 | Alimayya | Kannada | |
1993 | Rakshana | Telugu | |
1993 | Muta Mestri | Telugu | |
1994 | Oru Vasantha Geetham | Tamil | |
1994 | Athiradi Padai | Tamil | |
1994 | Palnati Pourusham | Telugu | |
1994 | Maro Quit India | Telugu | |
1994 | CID Unnikrishnan BA BED | Malayalam | |
1994 | Chinna | Kannada | |
1994 | Gentleman Security | Item Dance | Malayalam |
1995 | Villadhi Villain | Guest Appearance in song | Tamil |
1995 | Hijack | Dalia | Malayalam |
1995 | Spadikam | Laila | Malayalam |
1995 | Mazhavil Koodaram | Rathi Teacher | Malayalam |
1995 | Special Squard | Madhumathi | Malayalam |
1995 | Karma | Item Dancer | Malayalam |
1995 | Kaattile Thadi Thevarude Aana | Malayalam | |
1995 | Thumboli Kadappuram | Clara | Malayalam |
1995 | Three Men Army | Malayalam | |
1995 | Arabikadaloram | Vaishali | Malayalam |
1996 | Pallivathukkal Thommichan | Kathreena | Malayalam |
1996 | Sugavaasam | Malayalam | |
1996 | Sulthan Hyderali | Malayalam | |
1996 | Kireedamillaatha Raajakkanmaar | Rajamma | Malayalam |
1996 | Lucky Man | Tamil | |
1996 | Coimbatore Mappillai | Tamil | |
1996 | Kishkinda Kaanda | Telugu | |
1996 | Pacha thoranam | KanyaKumari | Telugu |
1996 | Maa aavida collector | Telugu | |
1996 | Kishkinda Kaanda | Tamil | |
1996 | Subaash | Tamil |
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